just a girl

The particular girl I'm thinking of is wandering about in the slush, both her own emotional, and nature's physical, in front of a tiny store. She has on a bedraggled hat, a nondescript coat, and low suede boots, which are completely inadequate: her socks, when she takes them off tonight, will have permanent black marks on them, as the quality of the suede is very poor indeed. As she meanders, pretending to be nonchalant, she is also desperately trying to ignore the fact that her left boot has a hole the size of a dime in the sole and cold water is seeping through at an alarming rate. If she bothered to drag her mind away from her runaway emotions, it would be obvious to her, as it is to all passers-by, that her efforts are wasted, as her entire gait has been altered awkwardly to allow her foot the least amount of contact with the pavement.

Every so often she stops, seeks the advice of a device telling time. She's impatient with herself for being impatient. To distract herself, she tentatively taps at a pile of slush with the tip of her boot. Then, as if her tap has contaminated the pile, she balances on one leg, swings the other to the side, and, using her leg as a shovel, she creates a new pile and begins to shape it with her boot, tamping it down from an irregular mountain range to a perfect mesa, sometimes even rubbing the toe in clockwise circles--just so--to even the surface. It’s as if she’s forgotten the discomfort of her wet foot, her bedraggled self – she’s pouring all her self-consciousness into the busy, busy work of smoothing the slush. Smooth! Smooth!

The taps of her boot toe and the swipes of her leg get more aggressive, until her agitated state can no longer be masked by the menial task she has assigned herself. She sullenly kicks the slightly imperfect Mesa Slushie she spent the last ninety seconds constructing and lets out a long sigh before resuming her sentry-like tread in front of the shopfront, warily watching the windows for any activity, then pausing and pretending to act as if she is waiting for something or someone whom she has high hopes of actually showing up.

But to be honest, it’s a pretty thin veneer, and even she knows it. To distract herself from the fact that she is alone, and the someone (thing) she wants to arrive is not, in fact, going to come, she begins another Mesa Slushie right next to the one she demolished just a minute ago. Tap, tap, circle, slow circle, tap goes the boot tip. She rests too much of her weight on the tapping leg and gets off-balance and slips on the slush, nearly falling. Flushed and embarrassed, she determinedly ignores the scene of the near mishap-- she doesn’t even bother to demolish her second “creation”--and rocks forward and backward in place, pointedly staring into the distance and amusing herself by pretending to be a dragon and blowing her breath toward the streetlamp. But she is foiled even in this, as it is not quite cold enough for a reliable puff, and the distraction loses its appeal, as it is no longer a distraction. Quite soon, she no longer is content with sentry duty, and after one considering look at her timepiece, and a too-long stare down the road in either direction, she heaves a sad sigh both long and eloquent and disappears.